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12-26-2010, 05:34 PM #21
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Thanked: 267Me, personally, I use the same pressure during the entire honing process specially honing full hollows because I want all the work to be done on the entire bevel and to stay consistent through the entire process. I will agree that for the very final finishing I go even lighter and thus have seen a kind of "band" on the very edge of the blade that would look like I taped the edge. Is that what you are seeing? J-Nats will bend your mind about honing, they are different than any hone that I have ever used.
Take Care,
RichardLast edited by riooso; 12-26-2010 at 05:45 PM.
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12-26-2010, 05:38 PM #22
Don't get me wrong Sham, I'm not knocking what you're doing. I just don't quite understand it. It reminds me of the guys when I first came around who talked about polishing the edge until there were absolutely no scratches. I read that and figured that must be what I'm supposed to do.
Then I got razors honed by Lynn, Glen, Josh Earl, Joe Chandler, Livi ..... and they were shave ready to the max and had a scratch pattern. A pronounced scratch pattern. So I figured out that, for me, getting the razor sharp was the paramount objective and that putting a scratch free bevel on display, as it were, was not something to be concerned with.
Of course we want an edge that will stand up to use after honing but differing bevel angles is something that has never been something I've examined. Interesting topic. Thanks for bringing it up. As far as being crazy .... Sham I've always thought you and I are the only sane people on SRP and sometimes I'm not sure about you !Be careful how you treat people on your way up, you may meet them again on your way back down.
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12-26-2010, 05:40 PM #23
Don't own Japanese stones, but do have a thought. Maybe the Japanese stones require more pressure during honing to maintain contact with both the bevel and edge during the honing stroke. Could it be this simple? Probably not.
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12-26-2010, 06:29 PM #24
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The Following User Says Thank You to mainaman For This Useful Post:
Croaker (12-27-2010)
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12-26-2010, 10:47 PM #25
Jimmy i always thought angle of the blade depends spine and edge.
it is mostly will stay same as you hone spine and edge wears same time.
Now i have nothing against it.
This is the easiest way to explain.
lets say you hone and finish edge without taping.
stones are X and next is Y.
you check the edge you see X edge is how it should be but
then you check Y and see edge looks like you have used tape when you hone this blade in fact you are not.
now i am thinking why in the world Y stone should act this way?
sharpness of the both blades almost same.
This is new to me and i don't understand so far.
i am thinking this may be the big reason some Japanese stones are so expensive.
why type edge they produce.
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12-26-2010, 10:50 PM #26
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12-26-2010, 11:06 PM #27
Maybe this is to do with individual stones hardness. I know you are talking about finishers but imagine honing a bevel on a DMT1200, even flat bevel both sides. Then use soft King 1200 waterstone. King edge would become slightly convex. With polishers & light pressure convexing may only show as a slight microbevel assuming Y stone is slightly softer than X
The white gleam of swords, not the black ink of books, clears doubts and uncertainties and bleak outlooks.
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12-27-2010, 02:23 AM #28
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12-27-2010, 03:13 AM #29
I think you might be on the right track here based on what I've read about the honorable Nakayama. I've read that if it is, let's say for arguments sake, a 30.000 grit equivalent, as you hone the grit that is released from the binder is ground even finer.
So your 30,000 equivalent is becoming 50 or 60,000 as the honing progresses. I'm not speaking from experience here, only repeating my understanding of what I've read in the past and postulating that this could be the source of the mystery of the bevel angles Sham presented.Be careful how you treat people on your way up, you may meet them again on your way back down.
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12-27-2010, 04:35 AM #30
I think this is why So only likes to sell what he considers hard stones to razor folks ie to keep the bevels as true as possible.
The white gleam of swords, not the black ink of books, clears doubts and uncertainties and bleak outlooks.