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Thread: Foreign Films
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08-15-2011, 10:16 PM #21
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08-16-2011, 06:17 AM #22
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08-18-2011, 08:04 AM #23
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Thanked: 43I'll add my two pennies in here. Had the opportunity to take an elective course waaaaaaay back in college - The History of International Cinema. Gotta love those electives. A fascinating class that introduced me to many interesting movies.
In no particular order:
Rashomon - directed by Akira Kurosawa. The story of crime as seen from multiple points of view.
Man Bites Dog - precursor to Natual Born Killers. Extremely violent rampage from the point of view of the perpetrators.
+1 for Battleship Potempkin. Mutiny on the high seas. Communist propoganda film.
Leni Riefenstahl's Triumph of the Will and Olympia Part I and Olympia Part II. Both were/are Nazi propaganda films - so you'll have to take that into account, but are some of the most visually striking images on film. Olimpia demonstrates some of the most amazing sports cinematography that one will ever see.
City of God - Takes place in Brazilian slums
The Cabinet of Dr. Caligari - One of the earliest, if not the first "thriller." Macabre. Surreal set design. Really interesting.
Metropolis - Fritz Lang's masterpiece with a lot of communist undertones
Many of these early films were propaganda films. They were intended to foster the government's interests in the audiences that were seeing them. With these films, the viewer gets an interesting window into the political and social climate of the times in which they were created.
Side note - not a foreign film, but every film buff should take a look at The Great Train Robbery (1903). If memory serves me correctly, this is the first use of stop action - that is the car/train/boat/person/bullet/whatever is coming straight at the camera and following the cut it is going away from the camera, creating the illusion that it has run over the viewer. It utilizes some other unique camera angles and "special effects" as well. On top of all of that, you'll finally understand that final scene when Joe Pesci is shooting into the camera at the end of Goodfellas.
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08-19-2011, 12:42 AM #24Why doesn't the taco truck drive around the neighborhood selling tacos & margaritas???
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08-19-2011, 01:21 AM #25
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Thanked: 983Just about any film seen in my country is a foreign film! American films are foreign films here. As far as non english speaking films go, if I don't know the language, or at least don't have a rudimentry grasp of the language that it's in, and therefore am in need of sub-titles, I just don't bother. I can't read the sub-titles fast enough, and watch the film at the same time, to get any enjoyment out of them.
A foreign film that I have enjoyed was 'Freebird' a biker comedy/drama movie from Wales. It's in english and Welsh. Safe languages for me. I at least have a basic grasp of both, enough to follow the storyline anyway .
Mick
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08-19-2011, 01:49 AM #26
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Thanked: 240
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08-19-2011, 04:37 AM #27
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Thanked: 43Indeed, they seem to run together at times, but yes, while his character is no longer among the breathing actors in the film, Joe Pesci is shooting into the camera at the end of Goodfellas. Scorsese added the scene as an homage to the Great Train Robbery. It comes at the end of Henry Hill's narration just before the credits roll as Sid Vicious is singing "My Way." Plus, even if I am wrong, it's a good excuse to watch a great movie, if we needed one. May have to pop it in tonight.
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08-19-2011, 11:33 AM #28
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Thanked: 240Oh, I don't remember seeing that but you seem to know more than I do about goodfellas. I know what I'll be doing this weekend, watching goodfellas and the great train robbery.
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08-19-2011, 02:12 PM #29
I live in a relativity small down 2 hours north of Toronto so we do not get allot of foreign Films. However I have tickets for showing of two in September
The white Meadows - Iran
The First Grader - Kenya
Really looking forward to both of these. Anyone seen 1 or both?
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08-20-2011, 07:25 AM #30
I'm a huge fan of Zhang Yimou films, especially his early movies. His last few films were fishing wire kingfu flicks. While not bad films, were a little much. His early films such as Sorghum Red, Raise the Red Lantern, and Ju Do are amazing. He's known as an expert cinematographer, and it shows, they're gorgeous films.
I also like Jan Svenkmajer films, a surrealist Czech animator. Alice is probably his most famous film, but I'm more partial to his short films. His interpretation of Faust is great, as well.
Of course, Ingmar Bergman is the master of European film making. I like 'Hour of the Wolf' and 'Cries and Whispers'.