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Thread: Mikawa Shiro Nagura progression on a suita.

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    Default Mikawa Shiro Nagura progression on a suita.

    Name:  Mizukihara Tenjyo Suita.jpg
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    My recent purchase of a Mizukihara Tenjyo Suita Jnat has created a dilemma.

    This stone was very recently added to my Jnat collection as a mid-level pre-finisher to accompany a Shobudani awesado. It has taken me several days to somewhat figure it out and I have in return managed to get a few very nice, smooth shaving edges straight from this stone. But, I am struggling to figure out just where it might fit into a progression.

    Last night I decided to experiment. I killed an edge and set the bevel on 1K synthetic. Then 4K synthetic and on to the Suita. Diamond plate slurry was produced and worked while diluting until the razor started to stick to the stone. I stropped the hell out of it (it is coticule like in this way). To my standards it was a solid HHT2. Then on to the Shobu with Botan, tenjyo, Meijiro and koma. A nice crisp nakayama asagi tomo nagura diluted to straight water. Finished and shaveable.

    This took me 2 hours. I don't mind since I do enjoy the process but I am wondering if maybe I took a step backwards with the Botan and or Tenjyo. To my thinking there are probably two ways to come to a solution. Look at each progressed edge with a loupe or test shave each edge.

    Please share your experiences with your Suita Jnats and how they fit into "your" progressions.

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    My other thought is in regard to using nagura progressions on the Suita. I have read that some have had positive results with the Botan and even Tenjyo on Suita then using the later nagura on the awesado. There are so many possibilities!!

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    I would try going 1k, suita with Diamond plate slurry diluting it. Then just go straight to your finisher with your finishing tomo and see how it works out.

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    I shaved with a little 5/8 Solingen last night that came right off of this stone with the diluted diamond plate slurry method. The edge was unlike anything I have ever used before. It was sort of coticule like in that it seemed I would have had to try to cut myself. The keenness was slightly less than what I would prefer but the comfort level was superb. Zero irritation. After that result, I believe it would be feasible to jump right to the finisher without the nagura progressions.

    I will give it a shot.
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    If you have any flax linen (clean not pasted) you can give it a bump and try that. I agree with you on skipping the naguras.
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    Quote Originally Posted by Bill31521 View Post
    If you have any flax linen (clean not pasted) you can give it a bump and try that. I agree with you on skipping the naguras.
    Interesting that you mentioned the linen.

    I have been honing for about 6 years now. Started with a set of Norton synthetics and then got into Coticules for a time. I always used the linen before leather and always had favorable results. When I started honing on Jnats things changed. I would get a great HHt3 or 4 edge from my Shobu and completely lose it after stropping. I couldn't figure out why. Upon talking to the vendor I purchased the stone from, he mentioned that he had experienced similar results from stropping on linen before the leather.

    Now, I go straight to leather and no longer lose my Jnat edge. I know... sounds like B.S. but it makes a huge difference.

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    Yup, headed in the right diredtion, Botan, Teniyo after 1/4k & diamond slurry going backwards.

    Simplify, Is it the stone, strop, razor or technique? With any stone, particularly a natural stone, you have to learn the stone’s potential, with a particular razor.

    Check the linen, is it clean? Magnification or stropping on a polished bevel will quickly tell you.

    Second, not all linen is alike and with linen, technique is important. I suspect folks use too much pressure and can slightly roll the edge. Leather is stiffer and can straighten an edge, increasing performance. A lot also depends on the razor steel and the progression, how thin is the edge?

    I like using linen to clean the edge, between stones or progression. It will straighten the fin or remove any hanging flashing, (which can affect HHT). Your finish stone will bring back any lost keenness in a few laps. Leather can do the same, but you risk imbedding loose flashing into the leather. Part of the goal of linen is to keep you leather cleaner.

    I believe contaminate strops contribute to a lot of issues folks have, based on the condition of bevels and edges I see. Most strops have never been cleaned, a lifetime of air born dust and god know what else. Would you never wash your car, and just wipe it down with your hand occasionally and expect a pristine shiny finish?

    Test your stone, honing on diamond slurry and comparing the bevels and edges without the interference of nagura grits, (natural stone nagura are natural and not alike, even graded nagura). Do this test with different razors of varying hardness, (An often-overlooked issue is the hardness of the razor steel) and learn the potential of the stone with that razor, it may perform very differently with a harder/softer razor.

    A Suita, Koma or your Asagi tomo, may squeak out the max from the stone. Don’t put too much stock in HHT, shave it.
    Last edited by Euclid440; 08-26-2019 at 05:13 PM.
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    Good flax linen should give that edge some more zip. If it doesn't I would look for another one then. Imo it's that worth using. As far as mikawa naguras go? I find them to be a waste of time. I messed with them for more than a few years. They gave me nothing but a longer hone. If I got.something out of it I would reconsider. Jmo.
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    Quote Originally Posted by Euclid440 View Post
    Yup, headed in the right diredtion, Botan, Teniyo after 1/4k & diamond slurry going backwards.

    Simplify, Is it the stone, strop, razor or technique? With any stone, particularly a natural stone, you have to learn the stone’s potential, with a particular razor.

    Check the linen, is it clean? Magnification or stropping on a polished bevel will quickly tell you.

    Second, not all linen is alike and with linen, technique is important. I suspect folks use too much pressure and can slightly roll the edge. Leather is stiffer and can straighten an edge, increasing performance. A lot also depends on the razor steel and the progression, how thin is the edge?

    I like using linen to clean the edge, between stones or progression. It will straighten the fin or remove any hanging flashing, (which can affect HHT). Your finish stone will bring back any lost keenness in a few laps. Leather can do the same, but you risk imbedding loose flashing into the leather. Part of the goal of linen is to keep you leather cleaner.

    I believe contaminate strops contribute to a lot of issues folks have, based on the condition of bevels and edges I see. Most strops have never been cleaned, a lifetime of air born dust and god know what else. Would you never wash your car, and just wipe it down with your hand occasionally and expect a pristine shiny finish?

    Test your stone, honing on diamond slurry and comparing the bevels and edges without the interference of nagura grits, (natural stone nagura are natural and not alike, even graded nagura). Do this test with different razors of varying hardness, (An often-overlooked issue is the hardness of the razor steel) and learn the potential of the stone with that razor, it may perform very differently with a harder/softer razor.

    A Suita, Koma or your Asagi tomo, may squeak out the max from the stone. Don’t put too much stock in HHT, shave it.
    That's the thing. The long winded progression, while giving excellent results, leaves far too much to interpret. I will simplify the process as a means of better understanding what is really doing what. After last night's results I believe the Mizukihara has done everything the naguras did after the fact. Somewhat redundant in hindsight. This is how we learn right?

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    Since your playing around. Take the slurry off your suita and dump it on your finisher and see what it gets you. I do that all the time. It goes right to polish.

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