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Thread: Which hone for finishing?
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09-20-2006, 02:37 PM #31Originally Posted by mparker762
I recently determined that over time a hone which is not as wide as blade length but wider than half will give you a frown. That's because the ends of the blade spend less time on the hone than the middle. I believe that's why the barber manual discusses the smile. It would make the barber compensate for the typical width hone.
If you're getting a better edge with a smiling blade it probably has something to do with the way you shift the smiling blade as you're honing. If you used even pressure with both blades they should hone the same. If you put both blades on a wide hone with even pressure, the ends of the smiling blade are honed less, and eventually you will end up with a straight edge. To keep the smile, you would have to use more pressure at the ends of the blade, like the barber manual teaches.
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09-20-2006, 02:46 PM #32Originally Posted by Billy
Pasted strops are also compact. You can get a 4 sided one with 6, 3, and 1 micron (equivalent to 3.5K, 8K and 14K) and plain leather on the fourth side. That lets you do everything except heavy honing on one tool, and at modest cost.
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09-20-2006, 02:50 PM #33Originally Posted by Billy
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09-20-2006, 02:57 PM #34
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Thanked: 346Originally Posted by Joe Lerch
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09-20-2006, 03:32 PM #35
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Thanked: 108I'm trying to follow this about smiles and frowns. I understand what Joe's saying about a hone being more than half the width of the razor developing a frown over time - with the middle of the razor spending more time on the hone than the ends. Stands to reason.
What I don't understand are the techniques for compensating for this. How do you create a smile for a blade? Or is this just an original feature of the blade and you maintain it? What does it mean to "rock" the blade? I am imagining a semi-circular, scything movement, but it seems to me that this would increase, rather than decrease, the amount of time the middle of the blade spends on the hone.
Couldn't you just do an exaggerated x-pattern (think of it as a capital X), minimizing the time the middle of the blade spends on the hone? (Or is this what's meant by "rocking"?)
It's not clear to me how any of this could create the smile. Is that where pressure comes in - putting extra pressure when the ends are on the hone, lightening up in the middle?
Sorry, so many questions...
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09-20-2006, 03:43 PM #36Originally Posted by dylandog
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09-20-2006, 05:11 PM #37
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Thanked: 108As I'm understanding it, this differs from the standard x-pattern in that the angle of the blade changes as you go through the movement -- the heel leads at the beginning, the blade then "rocks" forward during the swipe, so that the point leads at the end. Is this right? The blade stays flat on the hone throughout, no?
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09-20-2006, 06:00 PM #38
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Thanked: 346No, there is no "flat on the hone" on a smiling blade, because the blade is curved like a saber. The rocking motion ensures that the entire length of the blade contacts the hone at some point over the course of a stroke. The X pattern describes the horizontal path of the blade over the stone, the roll-n-roll describes the vertical path of the heel and toe above the hone.
It's a lot easier to do than it is to describe, actually. It's tough to visualize 3-d movement from a verbal description.
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09-20-2006, 07:39 PM #39Originally Posted by Billy
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09-20-2006, 07:41 PM #40
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Thanked: 0Originally Posted by Kees
Thank you Kees.
-Billy