Thread: Confusing the next generations

I would like to see a data base of the razors as they were. So that in the future people will now what they looked like.

I'm thinking about cars here, we all see Ford Model A's with V8's in them. Disc brakes, 9 inch rear ends etc.Very few will ever see a real Model A. But to the real car guys, some will restore them as close as they can to original.

While others modify and update them. I think both trains of thought should be respected. It takes a lot of work to make it look like no work was done. It takes a lot of thought to refine something and still make serve its task.

I would like to see the restoration guys make an effort to show what it was. While the other guys show what it could be.

Just my thoughts,
Ken.

there will be plenty of examples of originals around, plenty of collectors that don't want them changed.

The thing to remember is, depending on who is doing the work, the razors we have reworked end up better than the originals ever were. back then they were simply tools, be turned out as fast as they could. I just had one rescaled in buffalo horn, you won't find any original done as well.

the materials are so much better now too.

but what do I know.

Red

Originally Posted by Big Red

there will be plenty of examples of originals around, plenty of collectors that don't want them changed.

The thing to remember is, depending on who is doing the work, the razors we have reworked end up better than the originals ever were. back then they were simply tools, be turned out as fast as they could. I just had one rescaled in buffalo horn, you won't find any original done as well.

the materials are so much better now too.

but what do I know.

Red

There are more and more people getting into referbishing them and taking an old razor and actually turning it into a work of craftsmanship and art. In the long run these razors will be worth more than the original - IMHO.

If the SRP data base lasts for the generations they will have a reference that will be hard to beat. Like Red says though, there will still be some around. We can't take them with us.

I understand what you guys are saying and I hear that stuff a lot. We are making them better, they are being improved, But gents these are not ford pintos these are items of historical significants at least to me. And as far as there will be plenty around keep in mind what is here today is all that will ever be. Everyone that is broken, altered, changed is one less in circulation. Its one less that will ever exist again.

I can relate to what Doc is saying, I have a ivory scaled 7 day set with original grinding marks and beautiful spinework, but 3 of the scales have issues, I originally intended to have them all rescaled, but they date to the 1880's and I just cant bring myself to alter their original design or historical value so I shave with them as they are

Thank you, Doc, for starting this interesting discussion! Everytime I have to deal with a razor whose conditions were altered during its life, I wonder what restoration means. I try to be the most "respectful" as possible, feeling both a sort of pride for being the owner of an object with a very long history and the responsability of having to decide about its future and contribute, in some part, to its life.

Up to now, after asking many things to myself, I don't know what restoration exactly means. Sometimes I find a very old blade of the end of XVIII c. whose scales were substituted 80 years later, in the second half of the XIX century. I think that all what I can do in such cases is trying to read the history of the razor in the best way I can, identify what is older and what is just less old. I'd like to find some very old scales, not impossible if they come with a very dammaged blade, and put those scales on the nice blade of the same period, but probably this isn't restoration. It would be just a new step in the long life of this razor, a different future; also, it would mean a loss of information about its past.

I think that future generations will have data enough to trace a very complete history of razor evolution. Probably this isn't the point. Just an example. I play harpsichord, a keyboard instrument with a very long history starting at the very beginning of XV c. and ending in the first years of XIX c. when the piano became the most comon keyboard instrument in houses. At the same time old-fashioned harpsichords started to be transformed into pianos changing its mechanincs! Makers made no more harpsichord for 100 years and "nobody" played this instrument until 1920's. The first new "harpsichord players", at the beginning of harspichord revival in 1920's, didn't know exaclty how the instrument should be played and they played it exaclty like a piano. The five-century-long tradition of harspichord playing and harpsichord making had been forgot. Some makers started to make new harpsichords, in part with the idea of improving the old ones in part without the knowledge of how an harpsichord was made. Today those new "harpsichords" can't be considered harpsichords: they are a sort of piano modified to sound a bit strange, probably a bit like an harpsichord because strings are plucked instead of hammered. Afters decads of inversigation, today we know much more things about harpsichord and harpsichord playing. We are rediscovering its long tradition just on the base of rare documents of different kind: descriptions, paintings, old "original" instruments, music composed for the instrument, ancient treatises, etc..

Sorry! too long

Originally Posted by clavichord

Thank you, Doc, for starting this interesting discussion! Everytime I have to deal with a razor whose conditions were altered during its life, I wonder what restoration means. I try to be the most "respectful" as possible, feeling both a sort of pride for being the owner of an object with a very long history and the responsability of having to decide about its future and contribute, in some part, to its life.

Up to now, after asking many things to myself, I don't know what restoration exactly means. Sometimes I find a very old blade of the end of XVIII c. whose scales were substituted 80 years later, in the second half of the XIX century. I think that all what I can do in such cases is trying to read the history of the razor in the best way I can, identify what is older and what is just less old. I'd like to find some very old scales, not impossible if they come with a very dammaged blade, and put those scales on the nice blade of the same period, but probably this isn't restoration. It would be just a new step in the long life of this razor, a different future; also, it would mean a loss of information about its past.

I think that future generations will have data enough to trace a very complete history of razor evolution. Probably this isn't the point. Just an example. I play harpsichord, a keyboard instrument with a very long history starting at the very beginning of XV c. and ending in the first years of XIX c. when the piano became the most comon keyboard instrument in houses. At the same time old-fashioned harpsichords started to be transformed into pianos changing its mechanincs! Makers made no more harpsichord for 100 years and "nobody" played this instrument until 1920's. The first new "harpsichord players", at the beginning of harspichord revival in 1920's, didn't know exaclty how the instrument should be played and they played it exaclty like a piano. The five-century-long tradition of harspichord playing and harpsichord making had been forgot. Some makers started to make new harpsichords, in part with the idea of improving the old ones in part without the knowledge of how an harpsichord was made. Today those new "harpsichords" can't be considered harpsichords: they are a sort of piano modified to sound a bit strange, probably a bit like an harpsichord because strings are plucked instead of hammered. Afters decads of inversigation, today we know much more things about harpsichord and harpsichord playing. We are rediscovering its long tradition just on the base of rare documents of different kind: descriptions, paintings, old "original" instruments, music composed for the instrument, ancient treatises, etc..

Sorry! too long

How will future generations have the data when there isn't enough data today to accurately pin down when it was made - unless we have some specific information about a company’s period of existence. We can guess based on scale and blade shape and makers marks handle material, etc. Once in a while you may find a Sheffield razor with a W <crown> R on it which means it was made during the reign of William IV from 1830–1837. V <crown> R doesn't mean much because Victoria ruled for 67 years. Once in a while we see a Fredrick Finny "Tally Ho" which had to be made between 1824-1852 because he died and the next razors we see are marked "W. Greaves - The Late Fredrick Finny".

There just are not many earmarks or standards that exist to date many, many razors. Sometimes we can say it was made after 1870 if it has celluloid handles because that is the time when celluloid came into use - if the handles weren't swapped a hundred years ago. One of the original frame back razors with the brass spine would be from the 1840s - but all we have to go on in most cases are approximations. Other than that it is mostly a few tidbits of knowledge and a lot of guess work.

This is where I think and hope that SRP will be a valuable resource for years to come. It is not only a place to discuss straight razors and associated paraphernalia, it is an historical record of the resurgence of straight razor shaving and everything associated with it.

I truly believe that historians 500 years from now will be reading these web pages. What we do here is not only fun, it is important too.

James.

Originally Posted by John Crowley

How will future generations have the data when there isn't enough data today to accurately pin down when it was made - unless we have some specific information about a company’s period of existence.

Relationships between data are even more important than data. Also, data need to be collected, crossed with other data, and organized in the best way. Nowadays this hasn't been done yet. We have a lot of data, but in "wrong" places: "secret" private collections and archives (storing not only blades, but paper too). Our SR Data Base is an example of how data can be collected and crossed; the project is just at the beginning, but I think that it's an important example. I don't need to see original pins on my blade to understand when it was made, if she's marked on the shank and the manufacturar's date of operation are known. This is the most trivial example of how data can be crossed, but there are much more complicated cases.

Few more examples of mines ( sorry!). Every year new small fragments of medieval folios containing music compiled 8 centuries ago are discovered in bibliotheques where those info were collected but never put in relationship with other info, and musicologists consider the find of one of these new fragments a very important source for the knowledge of the past. Sounds crazy, but in bibliotheques there is a lot of well archived info that is almost unknown. A practical example: musicologists need to compare different versions of a treatise and at this purpose they have indexes of how many versions of that particular treatise does exist in the world and where they are, but if a bibliotheque has a version of that treatise that is not present on the index used by musicologists, it's like if that treatise wouldn't exist!! On another side, even a fragment of paper of 1"x1" which contains music and later was used to repair another book can be the key to understand info contained in another source.

I promise: