Results 11 to 16 of 16
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12-16-2010, 03:53 AM #11
Here is a Wostenholm in celluloid, made to look like ivory. Too thick, lines too even, no depth, collars on pins:
Here is bone, a Case Bradford. Nice, but textured rather than smooth surface, slightly thicker and more rounded than ivory, brown pores prominent toward ends, no ivory "glow" or depth. Collars on pins (although I have seen a few bone scales pinned without collars):
Mappin & Webb in elephant ivory. Thin, smooth, depth, figure, and the pearlescent, almost translucent toothy "glow". Pins with no collars:
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12-16-2010, 04:10 AM #12
Very good post, Tim. That should get wiki-ed, IMO. The washers/collars (or lack thereof) is a good clue, but the material itself is what really matters, because washers/collars are not 100% consistent.
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FatboySlim (12-16-2010)
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12-16-2010, 04:15 AM #13
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FatboySlim (12-16-2010)
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12-16-2010, 12:57 PM #14
- Join Date
- Oct 2010
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Thanked: 18An excellent post, Tim. I think it demonstrates perfectly, comparisons between real ivory and imitations which could fool the unwary.
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FatboySlim (12-17-2010)
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12-16-2010, 01:39 PM #15
Really old "I" scales can actually change the color and became darker. I am sure there is some way to bring back the original color, but I never try it myself.
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12-16-2010, 04:53 PM #16
Once you hold real ivory in your hand you will never mistake it again. It has a really special feel different from any other material especially if it's more of a massive piece like a brush handle.
No matter how many men you kill you can't kill your successor-Emperor Nero