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07-31-2009, 03:17 PM #21
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Thanked: 488Khaos I'd email Old_School. He can have a look and give you much more info than any of us can.
Ones used on tools are usually a rougher grit than razor J-nats.
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07-31-2009, 03:18 PM #22
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Thanked: 488Joe what was the one you were using in BJ's shave den at the meet?
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07-31-2009, 03:35 PM #23
How did you reach that conclusion about the suita? Did T-N tell you they are only pretty?
To be valued as a sharpening stone, it first has to be a good sharpening stone. If you had two that were equal in every way except one was very plain and common and the other stippled with beauty marks; then the pretty one may be price higher. If the stone makes a slurry and cuts at 30K+ it is hard to say that it is "just for looks" such may not be the case with individual pieces but it is not beyond expectation.
Karasu are not the rarest or the finest, They may be the hardest. They can also regularly have "iron scratchers" as can suita.
best wishes in your searches
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07-31-2009, 03:41 PM #24
why do you say that? I think it would be quite unusal to take a large chunk and cut it for razor hones- like coticules or eschers.
if you look closely at kamisori stamp stones you will see few regular rectangles. They are the drop offs and odd shapes, smaller and thinner that are generally speaking less suitable for wood tools.
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07-31-2009, 03:45 PM #25
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Thanked: 488Kev,
That's what I was told by a member as well as on a Japanese website that didn't sell J-nats but had a lot of history and info on them.
I was told and tend to believe the person who told me the Karasu is pretty much the top shelf stone. Certainly above the Kiita I use.
Oh to answer your question I have seen the rectangles on the side and end of several stones.Last edited by Gunner777; 07-31-2009 at 03:49 PM.
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07-31-2009, 04:07 PM #26
You guys confuse me so much i don't want it anymore.
who is buying? Joe are you? go head please i back up.(already send private pm 8 of them to khaos)
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07-31-2009, 06:11 PM #27
If you read japanese then the world of sharpening stones should open up wide for you. do you have a link?
I am not sure of what you mean by top shelf. A karasu could come from any number of places- different mines. they can be worthless as well as valuable. Think of synthetics- if you said it was "yellow" how much would that mean?
by rectangle i meant the whole thing not a side, edge or end.
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07-31-2009, 06:42 PM #28
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Thanked: 488I should have specified Nakayama Karasu:-) Nah I don't read Japanese. My daughter and her best friend (majoring in it in college after taking it in high school) do so I borrow them for translation. I also sometimes use a translation program which works sorta.
I thought you meant the Kanji on the sides of the stone. Now I'm confusing myself Kev---LOL!
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07-31-2009, 11:16 PM #29
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08-01-2009, 01:04 AM #30
I have limited knowledge of Japanese stones, but I do own and regularly use a Nakayama Karasu. It's a great finishing stone.
My understanding is that the term karasu is Japanese for "crow," and is simply a descriptive term for the jet black spots or stripes on the stone. It is not a name for a specific geologic stone, like say, Novaculite. It is a feature description.
I think that in the case of the Nakayama mine, the term karasu is used to describe the prominent feature of a specific strata of rock that happens to be found deep in that mine, which is prized as a very fine hone. So, a Japanese stone may be described as karasu, but may have different characteristics than a Nakayama karasu. Then again, perhaps all karasu that are sold as hones come from Nakayama mine, I don't know? Old School would likely know.
The picture of the stone looks very much to me like my Nakayama karasu, with a more yellow coloring. I don't know if it performs the same. Mine was expensive, even from a trusted source like Old School that sells well below market prices. But maybe you stumbled onto a bargain, it happens.
My specific Nakayama karasu is a very fine polisher, with a very prominent feedback or draw, and is fast. I haven't used an Escher, but the karasu I have seems to produce noticeably finer edges than my Shapton 16. But it isn't out of the ballpark of the other Japanese stones I have, a Kiita and an Asagi, both Nakayamas. The karasu may be a bit finer, but is a little less consistent and forgiving than the other Japanese stones. It is noticeably faster though.
My karasu has no stamps. For some reason, I haven't seen a picture of any karasu with stamps. Maybe the "ink spot" patterns make it impractical to legibly stamp them, I don't know.