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Thread: Attention Nakayama Users
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10-11-2009, 02:53 PM #21
Hi Ron, Good see you back. It's been a while. I appreciate what your saying, but with these Nakayama's, The Kanji not only looks nice, but adds value and proves authenticity, so lapping can come at a cost, literally, and is only done, or should I say, should only be done under extreme circumstances. Since these hones are used as a finisher, it hardly dishes. Sometimes, it glazes, or has some small imperfection in the surface which requires lapping. The Kanji is very beautiful and adds to the overall aesthetics of the hone, so it's a difficult thing. Anyway, welcome back....
RichWe have assumed control !
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10-14-2009, 12:46 AM #22
- Join Date
- May 2008
- Posts
- 289
Thanked: 46I am with utopian on this, the value of a hone is in its purpose and a hone with kanji that isn't flat will not perform as it is intended to perform thus making its purpose irrelevant. On the other hand if you intend to just look at the kanji kudos for you. I lapped mine but before lapping it took a picture of it just to keep for the record, also mines has stamps on the bottom further proving its authenticity and if I recall correctly most other hones I have seen have stamps on the side or somewhere else which isn't the honing surface. So I see no point in keeping it unlapped unless you want to look at it or whatever.
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10-14-2009, 01:10 AM #23
Like many others, I took pictures of mine and lapped away. No regrets!
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10-14-2009, 06:11 AM #24
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10-16-2009, 09:12 AM #25
- Join Date
- Apr 2008
- Location
- Essex, UK
- Posts
- 3,816
Thanked: 3164I completely agree. It's a tool to me, not a work of art and its purpose is to be used. I have good art on the wall, but I wouldn't use my etchings or japanese woodblock prints to strop my razor on any more than I would hang a hunk of honing stone on the wall.
Regards,
Neil
Hold on a minute - maybe I should investigate the semi mystic qualities of japanese woodblock inks of the 19th century as an alternative to chrome-oxide - I might be onto something