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  1. #41
    Senior Member blabbermouth
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    Default Pics to come

    Oz!

    I'm doing WAY more than 15 finishing strokes. On the harder blades, 80 circles and 3 'X' strokes.

    My tpt is not across the blade, but inline w/the edge. 'How much movement/how fast does it sink through the skin. The shapton would easily turn a thumb pad test into a rib cage test. I couple of blades came in that keen - yet were still of the vegan persuasion - just won't cut flesh. (I think I'm in love w/ a rock)

    I'll try to get pics out tomorrow. I work w/ the Mrs. through a long day. It may have to be Wed. when I can enjoy outdoor light. In the mean time, So's pics. What's not visible in these pics are the cracks, chips, side nubs, most of which have been lapped out at this point. In the first two pics, the roughness below the large chip has been lapped smooth. The right edge had one large saw cut at the top right corner, a smaller ledge from a saw cut mid way through, and another about 1.5" further down. The top center edge has 1/2" chip I have no idea what to do with. I try to navigate around it. There's a chip about 2-2.5" up from the right bottom edge I try to nav. around also.

    'Very grateful for your kind help, Oz.
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  2. #42
    Carbon-steel-aholic DwarvenChef's Avatar
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    Ya that is a rather lust worthy looking stone ya got there

  3. #43
    Senior Member blabbermouth
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    Default Thank You, DC

    Its what happened after I tried to work w/ Murray on what he (I think improperly) called a Karasu. 'Wound up being almost 2.5x the cost of the sale price from Murray, but regardless of pricing, I do have very great confidence in Mr. Yamashita. Even with my rudimentary skills, the edges from this rock are very very impressive. I've only used a c12k prior to this. I actually like the 12 alot, especially w/ slurry and on the back side, I drew a diamond-patterned grid in crox crayon. It smoothed out the harshness that would sometimes come from using water only. This stone seems utterly incapable of harsh. That's worth the price of admission for me. Blades I used to have to exercise great care with I now can use with calm confidence. I actually think it will make me remove a couple for sale ads, 'cause those blades are now so good I don't want to let them go.

  4. #44
    The Great & Powerful Oz onimaru55's Avatar
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    Quote Originally Posted by pinklather View Post
    Oz!

    I'm doing WAY more than 15 finishing strokes. On the harder blades, 80 circles and 3 'X' strokes.

    Hmmm... I must try that on mine & see what happens.


    I'll try to get pics out tomorrow. I work w/ the Mrs. through a long day. It may have to be Wed. when I can enjoy outdoor light. In the mean time, So's pics. What's not visible in these pics are the cracks, chips, side nubs, most of which have been lapped out at this point. In the first two pics, the roughness below the large chip has been lapped smooth. The right edge had one large saw cut at the top right corner, a smaller ledge from a saw cut mid way through, and another about 1.5" further down. The top center edge has 1/2" chip I have no idea what to do with. I try to navigate around it. There's a chip about 2-2.5" up from the right bottom edge I try to nav. around also.

    'Very grateful for your kind help, Oz.
    From the pics, I see no problem in chamfering that straight side perfectly smooth but any anomaly in the surface should be lapped flat. 240 grit wetndri or a SiC whetstone will do the job quickly. I'd probably try to smooth that area top left too. Just to get rid of any sharp edges
    Last edited by onimaru55; 12-14-2010 at 10:04 PM.
    “The white gleam of swords, not the black ink of books, clears doubts and uncertainties and bleak outlooks.”

  5. #45
    Member ZethLent's Avatar
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    Hi Pink,


    I am curious as what your whole progression is? What do you use to set the bevel and what are the steps up to the Chinese hone?

    I just got a brand new #10000 Gokumyo that I have tossed into the mix. Up until now I set the bevel on a DMT #1200, refined it on a #3000 and #5000 and then went straight to my finishing hone (no naguras just the DMT to raise a slurry). I would/do spend most of the honing time on that hone. Sometimes (depending on how leisurely I hone) upwards of 30 minutes. I have posted about it before and so has JimR, the slurry honing on a final finisher can need a lot of time, and a light controlled hand/stroke. The less is more motto is all fine and good but you will never over-hone on a natural hone. It seems to be a man made hone issue only.

    I personally raise a medium slurry and do circles up and down the hone until the slurry dries or get 'clingy' (startes sticking to the blade). I do one spray with a water plant mister, and do straight back and forth until the slurry gets dry again. Then I spray it twice and do X-strokes until it is nearly dry again. I wash the blade and dry it and strop and the results are ALWAYS the same. Velvet smooth. It has yet to pass a HHT and the TPT also feel less sticky than it did at #5000. But the feel of the edge in action is second to none. I know Jim also gets this and it just takes practice. Many times with the same method and the same razor until it gets there.

    Good luck and remember it's not a race and hone happy.
    笑う門に福来たる。

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  7. #46
    Senior Member blabbermouth
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    Quote Originally Posted by onimaru55 View Post
    I'd probably try to smooth that area top left too. Just to get rid of any sharp edges
    I've lapped the long right side smooth, though the surface has a nick or two. The top surface was lapped flat as the first operation. The craggey upper left section, I've used w/ the DMT to generate slurry, rubbing the dmt at an angle towards the outside. This makes the jagged section a lower surface than the main honing surface.

    What I'm not entirely clear on is the nicks in the top surface about 1.5-2" up from the bottom right edge. It's lapped flat, but is flat sufficient to keep from grabbing an edge? That question applies for the 1/2 are in the top center. I'm afraid to stroke over it for fear it will grab and destroy an edge.

    Zeth - Wow. I strongly suspect I over-did the slurry on the first 4 blades, but other than that, I was very close to the process you describe. I would think that working the slurry that long would give the most thorough breakdown of the abrasive layers, yielding the finest grit.

    'Hearing that both HHT & TPT seem to degrade, but the edges are still superior is sorta rocket fuel for my head. If you're able, could you talk about how thick/thin the slurry is that you start out with? Or maybe point me to the link you & Jim have talked about this process? The Williams edge isn't very high on those tests either, but dang! The results are fabulous. I'll have to try this. I'm not as concerned about speed as I am result. Speed-wise, circles w/ water give a very smooth keen edge in little time.

    My progression as is: Bevel set on Norton 1k. 'Typically, 20 circles, then test after 10 x-strokes (for a non-smiling blade - more w/ a smile) I don't leave that stone until the edge shaves arm/leg hair at the skin level all along the edge. From there, I do 30-40 small diameter circles on the 4k side of the Norton, then usually 20 x-strokes until I begin feeling some drag on a TPT. From there, a Naniwa 8k: 40 circles, 20 x-strokes until a strong TPT is all along the blade. C12k next. I raise a slurry w/ a synthetic ruby stone, to the consistency of about 1% milk. 40 circles, 20 x-strokes and test. TPT should be very strong here, or 20 more strokes. Mainly on a smiling blade or one with some warp, if a section is not fully keen, I'll do 20-30 more circles, focusing a slight lifting on the heel to put the cutting action on the toe, and usually a tiny bit of rotational torque on the shank to push a bit of the bevel into the stone. This works for the cranky blades. Flat blades don't need it at all. Before the arrival of the blue rock, I'd either ad a layer of tape and give 7-8 more strokes for a micro-bevel on a fully dry stone, or let the stone dry and take 10 x-strokes on the opposite side of the c12k where I drew a diamond-shaped grid w/ a crox crayon. The crox smoothed out the harshness, as did the slurry when I started using that on the chinese rock.

  8. #47
    The Great & Powerful Oz onimaru55's Avatar
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    Quote Originally Posted by ZethLent View Post
    The less is more motto is all fine and good but you will never over-hone on a natural hone. It seems to be a man made hone issue only.
    Seth, I kinda disagree with the "man made hone issue" I think as you're coming off a 5k to a fine J-nat you are probably sneaking up on the edge without over-honing but if you take a finer edge say off your new 10k to an aggressive natural you could crumble the edge in 40-50 strokes. I've done it albeit with a Nakayama Suita but I've seen & tested the odd Asagi that cut like diamond . I do however agree that there are naturals that are so forgiving that overhoning is near impossible

    Quote Originally Posted by pinklather View Post
    I've lapped the long right side smooth, though the surface has a nick or two. The top surface was lapped flat as the first operation. The craggey upper left section, I've used w/ the DMT to generate slurry, rubbing the dmt at an angle towards the outside. This makes the jagged section a lower surface than the main honing surface.

    What I'm not entirely clear on is the nicks in the top surface about 1.5-2" up from the bottom right edge. It's lapped flat, but is flat sufficient to keep from grabbing an edge? That question applies for the 1/2 are in the top center. I'm afraid to stroke over it for fear it will grab and destroy an edge.
    pinkl , just make sure any suspect edge areas are smooth & rounded. Check how the blade lays & travels on the hone. Don't risk damaging an edge to save some stone.
    “The white gleam of swords, not the black ink of books, clears doubts and uncertainties and bleak outlooks.”

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  10. #48
    Member ZethLent's Avatar
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    Quote Originally Posted by pinklather View Post
    If you're able, could you talk about how thick/thin the slurry is that you start out with?

    This was something that will always be individual. Someone's thin slurry may be another's medium. Etc. Etc. I'll be using the hones again tonight on a nice little Klas Tornblum and will be including the new Gokumyo I got before the final polisher.

    I'll try to take some pics of the slurry at the different stages and post them in this thread. Also realise that I use a very tired DMT that has very little cut left in it. So the slurry is already quite fine when I start. But I use no where the same amount as I would on another hone with a mikawa nagura.
    笑う門に福来たる。

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  12. #49
    Senior Member blabbermouth hi_bud_gl's Avatar
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    Quote Originally Posted by onimaru55 View Post
    if you take a finer edge say off your new 10k to an aggressive natural you could crumble the edge in 40-50 strokes. I've done it albeit with a Nakayama Suita but I've seen & tested the odd Asagi that cut like diamond .
    This is interesting. i have never seen 1 st one (crumble the edge by natural stone) but i had natural stone which acted as same as your Asagi.
    stone which crumble the edge was fine stone or course?

  13. #50
    The Great & Powerful Oz onimaru55's Avatar
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    Quote Originally Posted by hi_bud_gl View Post
    stone which crumble the edge was fine stone or course?
    Yes quite fine. I would rate it (Nakayama Suita) as mid polisher, fine like 16k but very aggressive cutter. In 20 passes it eliminated all scratches on the bevel except a few random ones that looked like left overs from 1k hone. Razor was previously finished on Chinese 12k. I have only seen a couple this fast. If I had stopped at 20 passes all was good but I pushed it to destruction with another 30 strokes. Just an experiment
    “The white gleam of swords, not the black ink of books, clears doubts and uncertainties and bleak outlooks.”

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