Page 3 of 5 FirstFirst 12345 LastLast
Results 21 to 30 of 42
  1. #21
    The Great & Powerful Oz onimaru55's Avatar
    Join Date
    May 2008
    Location
    Bodalla, NSW
    Posts
    15,623
    Thanked: 3749

    Default

    Well I love the French point & thumbnotch but the coarser spine jimping doesn't seem to flow into the tang jimping. A bit of an abrupt transition if you get my drift but no accounting for taste eh.
    I love the hone wear, shows its not a wall hanger
    The white gleam of swords, not the black ink of books, clears doubts and uncertainties and bleak outlooks.

  2. The Following User Says Thank You to onimaru55 For This Useful Post:

    Seraphim (06-26-2009)

  3. #22
    The only straight man in Thailand ndw76's Avatar
    Join Date
    Jan 2009
    Location
    Bangkok, Thailand
    Posts
    1,659
    Thanked: 235

    Default

    I think it looks good. But if it were mine I think I would prefer longer, sleaker curves. Not bumps. I prefer curves.

  4. #23
    Resident schizophrenic bulldog's Avatar
    Join Date
    Feb 2009
    Location
    Elizabethton Tn
    Posts
    320
    Thanked: 61

    Default

    I like it. As far as just eyeballing it, you did dang good. It looks like it came from the factory that way.

  5. #24
    Antipodean
    Join Date
    May 2009
    Location
    Dunedin, New Zealand
    Posts
    522
    Thanked: 137

    Default

    I'm in two minds about this. I like 'notches, and like spine decoration, but I have a soft spot for big old wedges with a nice patina. Once you whack some scales on that beast I might be able to decide whether I like it or not.

  6. #25
    Opto Ergo Sum bassguy's Avatar
    Join Date
    Mar 2009
    Location
    Chicago
    Posts
    1,147
    Thanked: 998

    Default



    Quote Originally Posted by Seraphim View Post
    Next up, I'll take a nice Helje Mk31 and remove the thumbnotch from it!

  7. #26
    Senior Member Traveller's Avatar
    Join Date
    Oct 2005
    Location
    Port Isabel Texas
    Posts
    804
    Thanked: 57

    Default

    I like it,think it looks great.Best Regards Gary

  8. The Following User Says Thank You to Traveller For This Useful Post:

    Seraphim (06-26-2009)

  9. #27
    The Great & Powerful Oz onimaru55's Avatar
    Join Date
    May 2008
    Location
    Bodalla, NSW
    Posts
    15,623
    Thanked: 3749

    Default

    Did you taper the spine into that the diamond profile as well ? That's pretty neat.
    The white gleam of swords, not the black ink of books, clears doubts and uncertainties and bleak outlooks.

  10. #28
    < Banned User >
    Join Date
    Feb 2009
    Posts
    425
    Thanked: 363

    Default

    Seraphim a regular straight razor shaving Duchamp, art for arts sake, very good indeed! I paint regularly in acrylics and do some sculpting.

    That being said, I see the same pattern in all your razors, scallops (large and uniformed in shape) and the monkey tailed or similar scalloping of the tang.

    At first it seemed impressive but now its very repetitive, and now repetitive on a very good piece of steel not some 10 dollar DA.

    My opinion is: boring! I say push the envelope man, start doing some serious Bill Elliot style spine work with that dremel, flowers, gargoyles, symbols, and more, things we haven't seen. Love to see some serious inlay work.

    My advice take a look at ornate wood carvings and glen (oops glean,sorry Glen)some ideas, and turn the steel into wood! This is what I would be doing if I was decent with a dremel, currently I can only buff, and that's barely. So this is truly critic as artist here, however I think this is what major companies would be or should be doing.

    Everyone seems to customize scales, I say customize the steel, give it complex images and symbols...

    cheers that's my humble 2 cents.

    Cheers
    D
    Last edited by Sirshavesalot; 06-25-2009 at 03:43 AM.

  11. The Following 2 Users Say Thank You to Sirshavesalot For This Useful Post:

    Big Red (06-25-2009), Seraphim (06-26-2009)

  12. #29
    < Banned User >
    Join Date
    Feb 2008
    Posts
    3,763
    Thanked: 735

    Default

    Quote Originally Posted by Sirshavesalot View Post
    Seraphim a regular straight razor shaving Duchamp, art for arts sake, very good indeed! I paint regularly in acrylics and do some sculpting.

    That being said, I see the same pattern in all your razors, scallops (large and uniformed in shape) and the monkey tailed or similar scalloping of the tang.

    At first it seemed impressive but now its very repetitive, and now repetitive on a very good piece of steel not some 10 dollar DA.

    My opinion is: boring! I say push the envelope man, start doing some serious Bill Elliot style spine work with that dremel, flowers, gargoyles, symbols, and more, things we haven't seen. Love to see some serious inlay work.

    My advice take a look at ornate wood carvings and glen (oops glean,sorry Glen)some ideas, and turn the steel into wood! This is what I would be doing if I was decent with a dremel, currently I can only buff, and that's barely. So this is truly critic as artist here, however I think this is what major companies would be or should be doing.

    Everyone seems to customize scales, I say customize the steel, give it complex images and symbols...

    cheers that's my humble 2 cents.

    Cheers
    D
    That is what I would truly like to do. And I appreciate your trying to spur me on to new forms.

    However I am limited by my resources. I imagine you mean Bill Ellis, not Bill Elliot? He does all of his spine work before a razor is heat treated, which allows him to use a file, and get crazy on stuff, as the metal is still soft, not Rockwell 58-62! He has a fantastic tutotorial over on B&B that illustrates how he does his filework. Tremendous stuff!

    I don't have the facilities/skill to heat treat razors, so I use already made razors

    You say you've buffed with a dremel, so you know how hard razor steel really is. Having to work on a tempered steel razor, that means I must use a grinder, as nothing else will make even a dent in it, a file simple slides off it (go ahead and try it yourself! It's rather impresive how hard the steel is!) and that limits what forms and shapes I can create. And the dremel is not the most accurate of tools either, so I can't get too intricate.

    So, part of the "repetitive" nature of my work is due to the limitations of the tools I have to work with, and some of it is simply my aesthetic, what I like a razor to look like. I dig thumbnotches (in case you guys hadn't noticed...), so just about every razor gets a 'notch and some other tang work to blend it in. I like worked backs, so I do what I can to spruce up the spine (again, that is largely limited by the need for a round rotating grinder). If I were able to make my own blades from scratch, they would still end up looking very much like what my current stuff looks like, perhaps with a bit more of a humpback and smile on them though...

    If you look at most custom makers they also tend to do repetitive work: many Ellis razors have the swooping semi-thumbnotched tang and similar outlines (but with unbelievable etching & filework!). Williams razors have a somewhat organic look(not sure how to put it, they sort of look like they come from nature?) with flowing monkey tails. Livis look like Livis. A Chandler razor is also easily recognized. Etc, etc. It would seem that is just the way they like their razors to look. A Monet is not a Picasso, as the artists have a different form of expression.

    So, in regards to this W&B: I truly have welcomed all the critique of it, both pro and con. I can especially appreciate the sentiment that a W&B is an Institution, a venerable and noble brand. However, I myself had not used this razor in 3-4 months as I was completely bored by it (even though the shaves have always been fantastic). So bored by it, as I said, that I was about to sell it.

    There are still hundreds and hundreds of "traditional" W&B Celebrated Fine India Steel razors out there, one just the same as another (talk about repetitive, these things were mass produced!). But now, instead of just another one of them, I now have a modified W&B that is like no other. Which is just how I like it!

  13. #30
    Senior Member Big Red's Avatar
    Join Date
    Oct 2007
    Location
    Fresno, CA
    Posts
    1,068
    Thanked: 130

    Default

    as far as jimps, spine work etc. on hard and soft steel. yours always looks consistent, which considering what you're working with is even more impressive. I wonder what sort of fixtures could be created to help guys get these things more uniform. I was thinking about it last night, there are some blades I see on here that have jimps added that are very square and clunky, but wouldn't be so bad if regular. yet I see varying depths, odd spacing. I think fixtures could be made to solve that, EXCEPT, when it is on a curved surface, with that I just couldn't picture in my head how it would be done. I'm sure it is possible, I just don't know how. my friend passed away last summer, I would have enjoyed talking to him about it. he was a tool and die maker for a while. he made some great fixutres for gunsmithing. I have his bolt jeweling device in my shop at home. clever.

    I think your only option now is to get some blade blanks pre-heat treat and go nuts.

    Red

Page 3 of 5 FirstFirst 12345 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •