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Thread: Jnat finishing
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09-01-2014, 03:03 AM #21
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Thanked: 13246
+100%
Add in the fact that the stones themselves complicate the results because they are variable and you get our wonderful SRP saying of YMMV
Too many variables to call it other then on an individual basis..
To close, My very well worn DMT 325 which I have proved at the meets to leave a near glass finish on hones works absolute wonders when I use it on my Nakayama then work the slurry until near dry and finish with super light laps to take only the fin to a mirror like finish leaving a beautiful haze on the rest of the bevel
I would just keep messing with it until you find what works best for you and your techniques..
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09-01-2014, 10:32 AM #22
+++1 too
If you work the slurry long enough with an "extra fine" DMT - what ever that is... You get a very fine and smooth slurry - and I also have never seen any scratches on my JNats nor do I get even nanochips in the finished edge.
John******************************************
"The early bird gets the worm but the second mouse gets the cheese." -Steven Wright
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09-01-2014, 11:34 PM #23
I always use slurry on my asagi (mined ca. 1880 according to Alex) & get my best edges doing this, working the slurry until almost dry. I never dilute (found no benefit) & find the edges on water not as nice. For slurry, I use my well worn DMT 325 & find this gives the best, most consistent results. I do have a matched tomo as well but rarely use it.
+1 on watching pressure. I did an experiment using pressure followed by no pressure on both the tomo & DMT. In both cases when pressure was applied, the edge was no good. When no pressure was used, the edges were excellent. In fact, I liked the edge off the DMT slurry the best.
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09-02-2014, 07:10 AM #24
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09-02-2014, 09:53 AM #25
Be careful of a DMT1K stone on a Japanese stone. The stones are porous enough that they absorb a bit of water. If you're rubbing up a slurry, you just might get it stuck really bad to the plate, and unlodging it carries the risk of actually breaking the stone.
Til shade is gone, til water is gone, Into the shadow with teeth bared, screaming defiance with the last breath.
To spit in Sightblinder’s eye on the Last Day
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09-02-2014, 04:37 PM #26
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Thanked: 177I see that Im vastly outnumbered here with the slurry vs nagura methods. Well I will not argue that a diamond plate isnt capable of putting a great edge on. BUT the AHA! edges Ive gotten were off a full nagura setup, including yae, chu, tbn and koma. This system is an old one and I think that it makes the most sense. Just food for thought for anyone looking to see what they can get. I think if you have the time and apply yourself with it, you may be surprised at what they can do for you.
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09-02-2014, 06:54 PM #27
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09-02-2014, 08:01 PM #28
Yeah, the Atoma 1200 works fine because of the pimpled surface, but I wouldn't even think of using a DMT 1200 on a hard natural. The one time I tried years ago, it scratched the stone & also pulled a lot of zinc off the plate. Never again.
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09-03-2014, 12:23 AM #29
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09-05-2014, 12:29 AM #30
Scientifically speaking, it's still really only the last abrasive that shapes the edge that matters - everything preceding it is erased by the finishing process if done correctly. While I appreciate the "romance" of using your setup, going from a synthetic 8K (for example) to a high quality JNat will essentially leave the same exact edge as your progression if the final abrasive is identical. I've been studying edges with microscopy since I started honing and the final bevel scratch patterns obviously vary widely from abrasive to abrasive - JNats being the most fascinating IMO. Some of mine don't leave a scratch pattern at all - just sparkly metal - how this is I don't know - that's the limit of light microscopy. JNats are the most unique hones out there and I'm happy they exist!
Just my $0.02
-john******************************************
"The early bird gets the worm but the second mouse gets the cheese." -Steven Wright