Page 6 of 11 FirstFirst ... 2345678910 ... LastLast
Results 51 to 60 of 107
Like Tree11Likes

Thread: Shoobie Doobie Asagi

  1. #51
    Member DrNaka's Avatar
    Join Date
    Dec 2010
    Location
    Tokyo
    Posts
    64
    Thanked: 120

    Default

    Quote Originally Posted by nessmuck View Post
    I think i had too many drams tonite to figure out the above statement
    DRAMs??

    Dynamic random access memory

  2. #52
    The Great & Powerful Oz onimaru55's Avatar
    Join Date
    May 2008
    Location
    Bodalla, NSW
    Posts
    15,602
    Thanked: 3748

    Default

    Quote Originally Posted by DrNaka View Post
    I do not think that there are 2 schools.

    By 2 schools I just meant those who want the smoothest finish on their stones & those that can get the same result with light scratches on their stones.


    Now lets go back to the lapping and smoothing discussion of hard Jnats.

    Onimaru-san knows that a smooth surface is needed for final lapping.
    He writes:


    So he knows that DMT #325 makes bigger scratches, a new Atoma 1200 medium scratches, a 7 month old make smaller scratches and the very old Atoma 1200 is best of all.

    This experience and observation is in line what I am saying. You must have a smooth surface of the stone.

    I completely agree here

    Oniomaru-san writes also:


    This is the same as I write the softer the stone more tolerance to scratches made by diamonds.

    This is also true

    If you have a very hard stone like the very hard shoubu discussed in this thread I recommend to make the surface as smooth as possible.

    Well, here is where I would prefer to say "make the surface as smooth as necessary" rather than "smooth as possible".
    I don't know how hard this particular shoubu is as it is a long way from where I live but I know my Nakayama Asagi (pictured above) is very hard & as I said before I have tried both ways with this stone & the Atoma 1200 is perfectly adequate as a slurry stone in 99% of cases. I am allowing for some error as there are no absolutes

    DrNaka san, thank you for your explanations. I know we are mostly in agreement just not completely
    “The white gleam of swords, not the black ink of books, clears doubts and uncertainties and bleak outlooks.”

  3. #53
    Member DrNaka's Avatar
    Join Date
    Dec 2010
    Location
    Tokyo
    Posts
    64
    Thanked: 120

    Default

    Quote Originally Posted by onimaru55 View Post
    DrNaka san, thank you for your explanations. I know we are mostly in agreement just not completely
    yes

    I don't know how hard this particular shoubu is as it is a long way from where I live but I know my Nakayama Asagi (pictured above) is very hard & as I said before I have tried both ways with this stone & the torn Atoma 1200 is perfectly adequate as a slurry stone in 99% of cases.
    I added torn

  4. #54
    Senior Member blabbermouth nessmuck's Avatar
    Join Date
    Aug 2009
    Location
    New Hampshire
    Posts
    3,935
    Thanked: 581

    Default

    Quote Originally Posted by DrNaka View Post
    Drams of Scotch ( the good Drams )
    Disburden likes this.

  5. #55
    The Great & Powerful Oz onimaru55's Avatar
    Join Date
    May 2008
    Location
    Bodalla, NSW
    Posts
    15,602
    Thanked: 3748

    Default

    Quote Originally Posted by DrNaka View Post
    I added torn
    Yes, the older the better
    “The white gleam of swords, not the black ink of books, clears doubts and uncertainties and bleak outlooks.”

  6. #56
    rock collector infamous's Avatar
    Join Date
    Mar 2011
    Posts
    43
    Thanked: 4

    Default

    I personally don't use diamonds to raise a slurry anymore. I didn't like the way they were roughing up the surface of my stone. It seems to me that as you sharpen steel on a stone it gets smoother and smoother. This makes it work slower and give a finer polish. If you add a rougher mix to the slurry it will roughen up the stone, speeding it up, and leaving a rougher finish to the blade. This is when you need to remove a lot of metal. Then you clean the stone really good and rub it down really well with a very hard and smooth tomonagura and work that fine slurry with the blade, smoothing the stone back out again and making it suitable for the final polish.

    I'm not sure how much work the slurry actually does directly to the blade. I think it might serve to dull it slightly and help prevent the formation of a wire edge. It seems like the slurry is more about roughing or smoothing the surface of the stone, which then acts on the blade. If that makes any sense. Everything I do is by feel, I have never really seen whats going on.

    You know how smooth the stone is by the feel you get when you run the blade across it. Looking at how it reflects light is deceptive, the same way some synthetic stone may give a mirror finish but not be as good as the dull finish by a fine jnat.

    I can tell when I'm getting a good polish because i can't feel anything happening, the blade is sliding without any noticible friction. It's hard to get this condition with poor quality stones. Hopefully my new one will be easier to get in this state.

    I'm sorry if my post is hard to read. I'm not that good of a writer.

  7. #57
    The Great & Powerful Oz onimaru55's Avatar
    Join Date
    May 2008
    Location
    Bodalla, NSW
    Posts
    15,602
    Thanked: 3748

    Default

    Quote Originally Posted by infamous View Post
    You know how smooth the stone is by the feel you get when you run the blade across it. Looking at how it reflects light is deceptive, the same way some synthetic stone may give a mirror finish but not be as good as the dull finish by a fine jnat.
    Actually the finest, hardest Jnats will give you closer to a mirror finish if used with water alone.
    The kasumi finish comes from unevenly sized particles in the stone &/or slurry creating scratches of slightly unequal depth so light reflects differently off the surface.
    The more even the grit, the less haze, again, I stipulate with water only. Using a slurry on the same stone will give you the haze due to different sized particles.
    “The white gleam of swords, not the black ink of books, clears doubts and uncertainties and bleak outlooks.”

  8. #58
    Senior Member
    Join Date
    Dec 2009
    Posts
    217
    Thanked: 35

    Default

    Can wel call Shouboudani, Shoubou? Or Scooby Doo?Shobo?

    Beautiful stone Zib. Congratz.

    Have you done what DrNaka suggested, getting a mirror surface
    on your stone?

    Why are asagi's so special? Is is because they are from deep strata
    and therefore very hard and fine? Are there other reasons? I also
    read they can be scratchy? How is this effect mitigated?

    Which mine produces the best asagi stones? I would guess Nakayama
    since stones from this mine is ar so popular and expensive. Which mine
    also has beautiful asagi stones, but much less expensive? I might buy
    one in the future. Damn this HAD!!!

    Sharpman

  9. #59
    The Great & Powerful Oz onimaru55's Avatar
    Join Date
    May 2008
    Location
    Bodalla, NSW
    Posts
    15,602
    Thanked: 3748

    Default

    Quote Originally Posted by SharpMan View Post
    Why are asagi's so special? Is is because they are from deep strata
    and therefore very hard and fine? Are there other reasons? I also
    read they can be scratchy? How is this effect mitigated?

    Which mine produces the best asagi stones? I would guess Nakayama
    since stones from this mine is ar so popular and expensive. Which mine
    also has beautiful asagi stones, but much less expensive? I might buy
    one in the future. Damn this HAD!!!

    Sharpman
    They're not really that special. There are good ones & bad ones but the ones that aren't scratchy are the special ones. Asagi come from the Namito layer & odds are most Namito are better razor stones. Don't limit your search to one type, Even Suita could do at a pinch. Most would certainly improve an 8k finish. I recently acquired a Tomae (thanx Muscles) which is a shallower layer but works great for finishing razors. Nakayama, Oozuku, Shoubudani are all known for good Asagi but you need to use a trusted seller & if possible test the stone first. And it helps a lot if you know what you want. Again the seller should be able to help guide you.
    “The white gleam of swords, not the black ink of books, clears doubts and uncertainties and bleak outlooks.”

  10. The Following User Says Thank You to onimaru55 For This Useful Post:

    SharpMan (03-10-2011)

  11. #60
    Senior Member
    Join Date
    Dec 2009
    Posts
    217
    Thanked: 35

    Default

    Quote Originally Posted by onimaru55 View Post
    They're not really that special. There are good ones & bad ones but the ones that aren't scratchy are the special ones. Asagi come from the Namito layer & odds are most Namito are better razor stones. Don't limit your search to one type, Even Suita could do at a pinch. Most would certainly improve an 8k finish. I recently acquired a Tomae (thanx Muscles) which is a shallower layer but works great for finishing razors. Nakayama, Oozuku, Shoubudani are all known for good Asagi but you need to use a trusted seller & if possible test the stone first. And it helps a lot if you know what you want. Again the seller should be able to help guide you.
    Thank you.

    In the future I will be looking for a very hard, very fine, uniform,
    no su/toxic lines. Size 8 by 2.5 or 3. An inch thick.

    Now such a stone from the Nakayama mine would probably cost at
    least 500 dollars or more That is why I am interested in the other mines. I mean I don't care from which mine it comes as long as it is working
    very good.`

    Sharpman

Page 6 of 11 FirstFirst ... 2345678910 ... LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •