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Thread: What are you working on?
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02-14-2017, 04:02 AM #7611
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02-14-2017, 04:11 AM #7612
Shaun. Carl produced razors from Germany for PJM to import to the US from the 30's, I think, up until the late 30's when Carl emigrated to the US with his workmen and their families.
Started out in SF and all moved to New York soon afterward.
Partnered with Burrell in the 40's and 50's. Razors and surgical stuff for the war effort. Burrell never made razors. Carl Monkhouse was responsible for the Top Flights.
Carl was involved with Allegeny Instrument and ran Cutlery associates in Allegheny seemingly simultaneously.
SOLD his NAME to PJM in the 50's. The later, fancy PJM CMons had nothing to do with the old company as all was produced in Germany and simply carried Carl's name. Sales recognition!
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02-14-2017, 04:21 AM #7613
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Thanked: 4249Very good Tom, also that region of New York was already very involved in cutlery. J. B. F. Champlin was bringing grinders and cutlers from Germany to immigrate here, offering them work, and a decent place to live for the workers and their families.
And that was when Cattaraugus cutlery started.
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02-14-2017, 04:23 AM #7614
The Ford looks great Rez
Nothing is fool proof, to a sufficiently talented fool...
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The Following User Says Thank You to ejmolitor37 For This Useful Post:
RezDog (02-14-2017)
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02-14-2017, 04:29 AM #7615
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The Following User Says Thank You to sharptonn For This Useful Post:
RezDog (02-14-2017)
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02-14-2017, 05:21 AM #7616
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Thanked: 4826So Tom, the later editions of C-Mon razors were from more than just Germany. There are models from both France and Spain if my memory is correct, or were those all PMJ models?
It's not what you know, it's who you take fishing!
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02-14-2017, 06:09 AM #7617
Couple questions, does one do anything differently when pinning collarless?
Has anyone messed with scrimshaw? Thanks gentsNothing is fool proof, to a sufficiently talented fool...
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02-14-2017, 10:04 AM #7618
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Thanked: 4826When pinning collarless I taper the hole in the scale and I leave the pin a tiny bit longer.
I have played with scrimshaw just enough to know that my scrimshaw needs some serious practise. The principle is very simple. You make a series of dots and lines at varying depths and densities and then fill the low spot with ink, sand and seal the top and it creates a picture. It is similar to the art pointillism in many ways. There are a lot of videos on the interweb about how to. It is really cool and I will venture further down this path eventually. I think most of the people that do it seriously have a series of carbide tipped scrapers that look a lot like mechanical pencils.It's not what you know, it's who you take fishing!
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The Following 2 Users Say Thank You to RezDog For This Useful Post:
ejmolitor37 (02-14-2017), Srdjan (02-17-2017)
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02-14-2017, 11:25 AM #7619
The razor looks great Rez
Thanks for the history lesson Martin and TomLook sharp and smell nice for the ladies.~~~Benz
Imperfection is beauty, madness is genius and it's better to be absolutely ridiculous than absolutely boring ― Marilyn Monroe
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The Following User Says Thank You to Dieseld For This Useful Post:
RezDog (02-14-2017)
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02-14-2017, 12:34 PM #7620
Thanks Rez I think I'm going collarless on my bone scales and might try scrimshaw too. Want to put the cross arrow and circle b on the show side scale. Ill have to play around first.
Nothing is fool proof, to a sufficiently talented fool...